Why I need a Pottery Firing devil

What a pottery firing devil is? That’s the spirit who protects the ceramic kiln from dark influences. It’s the protector of pots who are about to endure the hellish fire.

Why do I need one? Well, I can explain that to you. But let me begin with a potter’s prayer from almost 3,000 years ago to Athena, goddess of crafts:

“Grant that the potters may get great gain and grant me so to sing to them.

But if you become shameless and make false promises, then I call together the destroyers of kilns, Syntribos (Shatter) and Smaragos (Smash) and Asbetos (Char) and Sabaktes (Collapse) and Omodamos (Melt) who can bring this craft much mischief.”

From: Homer’s Epigrams, Fragment 14 (Greek epic, 8th or 7th century BC)

Threatened by the five devils of pottery disaster, I had no choice but to take protective measures. It’s about time I made my own ceramic firing devil.

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Ceramic Bisque Firing, a kiln full of promises

The ceramic bisque firing is the first firing in the ceramic process. It’s the transformation from clay into ceramics. It’s the essential intermediate step. Between hand-shaped clay and glazed work. After this firing, there is no turning back to the clay bin.

I hear people lyrically talking about their last raku firing. Tears of joy when digging for a pot from a pit fire. Trembling hands of anticipation when opening the kiln door after a glaze firing. But never exciting stories about the first firing. No cheers when the lid of a bisque kiln is lifted.

Bowls after bisque firing

The bisque firing is the step child of ceramics. But the firing process is magical– even a bisque.

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