Category Archives: Personally

Keramis: the energy of the earth

Ceramic art gives you energy, and Keramis Centre de la Céramique literally shows the power of the earth. This ceramics museum in La Louvière is one of the most important centers for ceramic art in Wallonia and actually in the whole of Belgium. If, like we were this summer, you are looking for contemporary ceramics, then a visit to Keramis should not be missed.

The museum houses a historic collection of Boch ceramics from the nineteenth and twentieth centuries, as well as an impressive collection of contemporary ceramic art. In addition, it regularly organizes temporary exhibitions on specific themes. We visited the museum in August 2026 during the exhibition Les Énergies de la Terre.

One of the three historic kilns Keramis Centre de la Céramique, La Louvière

What do energy crises, Van Gogh, the Boerenbont (also known as the Dutch Bouquet)-motif and toilet bowls have in common? You can find out at Keramis, the modern ceramics museum and the heart of ceramic art in Wallonia.

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Neanderthals face to face with contemporary ceramics at the EMA Museum Andenne

If you sleep on the derle clay, you will automatically dream of the ceramics of Andenne, recognized by UNESCO as a Ville Créative since November 2025. But where do you go when you wake up? Indeed, to the ceramics museum of Andenne: the EMA (Espace Muséal d’Andenne).

With our campsite in Solières as our base, a stone’s throw from Andenne in the Meuse valley where the derle clay has been extracted for centuries, we dived into the ceramic history of Wallonia this summer. And where better to start that journey than in Andenne, where derle clay has been mined and fired into tableware and ceramic art since Roman times?

Daniel and Jacqueline with the Meuse in the background

So off to Andenne on the Meuse.

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Contemporary and historical ceramic art in Wallonia, the derle clay

Whether contemporary or historical ceramic art, everything starts with clay. Or, if you are in Wallonia near Andenne, with “la derle“.

Derle is the clay that has been mined under that name since the late Middle Ages in the Meuse valley around the towns of Andenne, Andenelle and Namur.

This clay was formed over millions of years by the chemical weathering of limestone, creating characteristic horizontal layers. Geologists refer to this as a karst landscape.

This summer, during our holidays, we wanted to discover the ceramic art of Wallonia . To get to the bottom of that, we felt it was best to pitch your tent on that very soil. No sooner said than done. This summer we were intimately acquented with la derle and the ceramics that are made from it.

My office on the clay soil
My office on the derle clay soil

In this and the next two blogs, I will report on that. In this first episode, we dive into clay… oops, I mean: la derle. 😊

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Hatred Divides, Clay Unites

How ceramics are an antidote to division and negativity

More than 25 years ago, I sat behind a wheel in a ceramics class for the first time. There I learned the fine – and sometimes not so fine – tricks of the trade. A lot has changed in the world since then, but one thing has remained the same: the power of community within a ceramics group of truly interested people.

Clay connects, hand-turned cups with terra sig

Today I am no longer in class or attending lectures, I stand in front of the class or give them. And from that perspective I see something special: students and participants who inspire each other, share ideas, discuss designs and even learn from failures. Yes, also from the ceramics accidents – not to laugh at, but to understand and perhaps even to reuse.

Making ceramics yourself and designing glazes gives an enormous positive impulse. It shows how important it is to understand each other, learn from each other and continue to develop yourself.

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Readymade ceramic art by Ai Weiwei; in search of humanity

For me, Ai Weiwei is the Duchamp of the 21st century: a modern, provocative creator of readymade ceramic art. But Ai is much more than that. He is an artist, human rights activist, provocateur, writer, architect, filmmaker, blogger and dissident.

Until March 3, 2024, a large-scale exhibition of one of the leading artists of the moment can be seen at the Kunsthal Rotterdam in the Netherlands.

At the beginning of the new year, we had the chance to visit this exhibition, and it was definitely worth it. Not only to be able to see the objects live, but especially to be confronted with the (in)humanity in China, Europe and other parts of the world. These are issues that Ai has been looking for throughout his career.

Ai Weiwei exhibition "In Search of Humanity" Kunsthal Rotterdam 2023-2024
Ai Weiwei exhibition “In Search of Humanity” Kunsthal Rotterdam 2023-2024

It is not for nothing that the exhibition bears the name “In Search of Humanity”. A search that is always topical, especially now that inhumane measures seems to have become the norm in Dutch politics.

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What should a ceramics lover visit in Amsterdam? Ceramics in the Rijksmuseum!

The collection of ceramics in the Rijksmuseum is somewhat underexposed. Everyone knows “het Rijks” of Rembrands “The Night Watch” and other paintings. But ceramics enthusiasts will also get their money’s worth! Men with beards, women in blue, white gold and much more…

How much more? 7,250 more to be exact… Because that’s how extensive the ceramics collection in the Rijksmuseum is. Reason enough to start this new year off right with a fresh dive into ceramics history.

The Rijksmuseum in Amsterdam 2 January 2023

Where do you dive in and what can you discover?

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Ceraminations: Imaginations at Making Ceramics

Imaginations come and go, the art is to recognize and preserve the Ceraminations . They are the ceramist’s treasure trove. Maybe not immediately, but after ripening they are worth their weight in gold, just like a good cheese…

Modern life is surrounded by all kinds of information flows. Books, social media, events and interactions: with Frodo (my parrot), my girlfriend, fellow ceramists and students. What happens to all that input?

With me it always comes out one way or another (rehashed). When I’m working, whether it’s preparing a (glaze) lesson, a ceramics blog or with my hands in the clay, small thoughts jumping around.

Sometimes everyday thoughts (is the garbage picked up today?), sometimes specific (making a series of pots in geometry of the molecules that clay is made up from?).

How do you keep all those references and perhaps (after maturation) valuable Ceraminations?

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Keramion in Frechen: When is a Potter’s Wheel a Pottery Museum?

Keramion in Frechen celebrated its 50th anniversary last year. In all those years we still hadn’t visited this famous ceramics museum in Germany. But this summer we were in the area, so we could no longer resist the pottery sirens from Frechen.

Frechen, near Cologne, is one of the centers on the Lower Rhine where ceramics have been made since 1200. As in Raeren and the Westerwald, artisanal potters have fired “Rheinisch Steinzeug” (Rhine Stoneware) there from about 1400.

Keramion in Frechen, back
Keramion in Frechen, back

But at Keramion, the emphasis is on contemporary ceramic art. After all those historic pots, that’s exactly what we were looking for…

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Pottery museum Raeren, a Modern Pilgrimage for all Stoneware Potters

In pottery museum Raeren (Belgium), you can feel the adventure, excitement and drama that has taken place beneath your feet. Stoneware has been fired in this border region near Aachen (Germany) and Vaals (the Netherlands), for 500 years, This stoneware pottery, “Rheinisch Steinzeug” was the first stoneware developed in Europe.

In the 16th century, this village grew into one of the largest stoneware centers in Europe. Raerens stoneware can be found all over the world. In museums and in private collections of ceramics connoisseurs.

Pottery museum Raeren , inside
Pottery Museum Raeren

Sometimes new finds surface. Literally from shipwrecks such as the “Vergulde Draeck” off the west coast of Australia. But mostly through excavations in Raeren itself.

If you want to feel the history of European stoneware down to your spine, you should visit the Raeren pottery museum. Even if it’s only once in your life… but more often is also allowed!

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The rise and fall of Raeren Stoneware

Production Raeren Stoneware, circa 1550:

“Stop! No more wood, the white fire has been reached. Scoop the salt into the kiln.”

Men with faces covered in dirty rags, with blisters on their hands defying the caustic chlorine fumes that hang around the kiln like a white cloud. With tearful eyes they scoop kilos of salt into the kiln. Finally, the kilnmaster gives the signal: they can close the kiln.

For five days and nights they have fired a kiln with more than 2,000 pots. The work of many months is at stake. If this kiln fails, all will be in vain.

Not to mention the consequences for the pottery and the families who depend on it. Can the debt still be paid this month or will it be seized by the freelord?

Oil painting by André Blank: Raeren and the most important export areas (Pottery Museum Raeren)
Oil painting by André Blank: Raeren and the most important export areas (Pottery Museum Raeren)

How did a small village on the Lower Rhine develop into one of the largest producers of European stoneware in the 16th century? For that we have to go back to Roman times…

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Pottery Secrets Revealed: the Three Books of the Potter’s Art

As the magician never betrays his tricks, so the potter guards his pottery secrets. The master whispers to his apprentice the necessary processing of raw materials. The ceramic alchemist keeps glaze recipes in secret writing.

More than once, pottery secrets have been lost in the grave . But mysteries have an unstoppable appeal. There are always researchers who unravel riddles and reveal secrets. This is also the case in ceramic art.

“Since I have set myself faithfully to show forth all the secrets of the art of the potter.” (Cipriano Piccolpasso “Li tre libri dell’arte del vasaio”1557)

Cipriano Piccolpasso "Li tre libri dell'arte del vasajo"1557

In this way Cipriano Piccolpasso still captivates the readers of his handwritten manuscript from 1557. In it he revealed the Italian majolica technique of the 16th century.

And by doing so, wrote the first ceramics manual in the world.

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Love and ceramics: Beatrice Wood shocks herself

Beatrice Wood (1893 – 1998) taught me more about love. Not the love for ceramics (I already have that), but the loves in life…

“I never made love to the men I married, and I did not marry the men I loved. I do not know if that makes me a good girl gone bad, or a bad girl gone good” (Beatrice Wood, 1985)

Something that never ceases to amaze me is how my interest in handmade ceramics takes me to every nook and cranny of life.

Glaze theory leads to the hidden world of quantum mechanics and the beginning (and the end) of the universe. Clay to the origin of mankind, the mastery of fire and the origin of civilizations, culture and art in every corner of this planet.

And ceramic artist Beatrice Wood to love…

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