Category Archives: Personally

Living Ceramic Shapes

Today I was throwing a number of vases, a very direct way to discover living ceramic shapes. I can make sketches, view contours on  internet or in a museum. But when I feel the clay going through my hands, the shapes takes hold of my mind and body as a whole.

Ceramic Shapes SketchesVases are great, they have a function, but they are mainly about form. Why is this vase “in balance” and this one not so much? What is a beautiful shape and why (not)? Visually, a (thrown) vase should have proper proportions, be in balance. Details should serve the shape as a whole. Finish should fit the design, (visual) weight the content. The intention has to match the result.

There are many more design principles that need to be reckoned with or taken into account. But pure shape I see best without glaze, without color, right after turning….

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Funnelbeakers, ceramic design from the Stone Age

When I think of ceramic design, I think of Dutch Design, Scandinavian Design or more in general modern industrial design. But modern ceramic design is much more than that. Design is comprehensive and modern is not an invention of the 20th century. Modern design is as old as humanity itself.

In this part of the world you need to dig more then 7,500 years in the past to find design pottery; the Linear Pottery Culture. Typical are the serried  band decorations that are scratched in the outer walls of the earthenware. With this, the Younger Stone Age (Neolithic) was inaugurated in Europe .

Modern Funnel cupsBut for me this is a very outdated design, I  don’t want anything to do with that. As a contemporary world citizen, I prefer to be inspired by modern funnelbeaker ceramics….

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Ceramics Fair Blues

Monday morning after the ceramics fair Dordrecht, jogging, the morning sun in my face. Music in my ears, a patch of mist on my glasses, autumn is coming.

Relaxing after the fair. Normally I do this round on Sunday morning, but then we were selling ceramics in the centre of Dordrecht.

DFB-ceramic stall Dordrecht 2018

Great to sell your own work “live”, especially when the weather is fine. You speak old acquaintances and new interested people. But the business part is a steep learning curve for me. And not just for me, also for the singing Potter David Hendley.

When I first went to the art fairs, I didn’t know the game, seems I always leave with more pots then when I came

(David Hendley “The Cobalt blues”, 2005)

The ceramics blues…

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Discover ceramics history in England by bike

This summer (just before the Brexit) we took a closer look at the British branch of the European ceramics history. England is a big island, too big to visit all the interesting ceramics museums and galleries in a few weeks summer vacation (see blog). Hard choices had to be made. Unfortunately no stopover in London. The largest ceramics collection in the world we leave for another time.

What did we visit? The heart of the ceramics industry in England: Stoke-On-Trent. As the followers of this blog already know, this city is also called “the Potteries” because of the large numbers of “potbanks” (ceramics plants) created in this area from the 18th century.

And how do you visit all that ceramics history? By bike of course! Continue reading Discover ceramics history in England by bike

8 Industrial ceramics museums you should see in Stoke-On-Trent

If you are looking for the history of industrial ceramics, you have to go to the cradle of the industrial revolution. And if you’re looking for these ceramics in the UK, all roads lead to Stoke-On-Trent. The English call this city affectionately “The Potteries”, it may be obvious why.

In this area there has been made ceramics for thousands of years, as well as many other places on the island. However, with the industrial revolution from about 1750, Stoke-On-Trent grew to become the first ceramic industry. That makes this place and its ceramics history unique in the world.Bottle Kiln (bottle oven) in Stoke-On-Trent

Curious what to visit in Stoke-On-Trent? We went by bike to research on the spot. ..

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Anarchy and ceramics in the United Kingdom

No not “anarchy in the U.K.“, but ceramics in the United Kingdom is the subject of this blog. But this immortal number of the Sex Pistols was the first thing that flashed through my head when I was thinking about a title of this piece. And not only the music from England is unique.

British ceramics have their own sound, unique like the punk from the eighties, but in earthenware, stoneware or porcelain. It is also the place where Bernard Leach released his “a potters book” in the fourties. Kingdom where Wedgwood completely innovated crockery in design and production from the 18th century. Island where bone china was invented, the Toby jug and the “Great Pottery Throw Down“.

If you don’t have blood but clay slip flowing through your veins, then you want to go there. But where do you have to go to experience this? Continue reading Anarchy and ceramics in the United Kingdom

Heron with a Bible and a knife

Praying in the Shadows
Stands a heron with a Bible and a knife
Don’t ever know
But basically we’re going to die
Everything is ok a little unstable
I have blood on both hands
But I do not know where I fell
(Spinvis, translated dutch lyrics “In staat van Narcose”, 2002)

The text is sinister and inspiring, I saw inner images. A heron, a preacher with a long dark cowl, armed as in the Wild West. Immovable, concealed against rain and wind at the side of a ditch.

He rides out the storm, passive, stoically, mumbling an unarticulate prayer. Woe the unsuspecting fish swimming by. Higher powers justify its sheded blood… Continue reading Heron with a Bible and a knife

Art Connects: Ceramics Connectivity

I cannot avoid my ceramics connectivity, that turned out to be true once again. Last Friday in Purmerend the Summer Art Event took place. As a Purmerender (dutch for a citizen of Purmerend) I have also made a (very) modest contribution to this activity in the city.

On Thursday evening I brought two ceramic sculptures for the exhibition in the Lutherse kerk. The organization of the event was in full swing. I could confine myself having a chat with the “usual suspects”, getting to know new people and maintaining old contacts; art connects in action.

Artists often show us life in a way that we instinctively recognize without being able to give words. It is the recognition of deep-rooted emotions that create a connection between work of art and viewer or listener.

(Jacob Ouderkerker, chairman of Kunst-Zin Foundation and Theunis van der Zwart, Coördinator Art Parade Heiloo)

Ceramic Connection

I had to think about the opening speech at the Art Parade in Heiloo, where I participated last weekend. There was also reference to the binding force of art. Not only between the creators, but also for the spectators. Continue reading Art Connects: Ceramics Connectivity

Kurkasa (veritable) friendly collaboration

Kurkasa: everything you need to turn your table into a true garden. Take the feeling from outside inside.

Eric, the founder of Kurkasa, has always been a lover of nature. He is therefore very familiar with the world of Bonsai. This is the Japanese art of cultivated trees in pots.  They are very small pine and juniper trees of breathtaking beauty.

KurkasaThe bonsai masters exhibited their bonsai in special rooms (tokonoma).  This way they could experience the feeling of forest in the living space. These meditative moments are of vital importance in the hustle and bustle of all day.  That is true now more than ever.

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Historic porcelain and contemporary ceramics in Dresden

After visiting the birthplace of the European porcelain in Meißen, the nearby city of Dresden was next. There are lots of historical ceramics in this beautifull city. In “Florence on the Elbe” houses one of the largest porcelain collections of the world.

This collection was founded by the Imperial Vicar of Saxony August der Starke in the early 18th century. His porcelain collection was originally exhibited in the Japanische Palais.  After the 2nd world war, the Zwinger Museum became it’s new home.
Porselein Collectie Zwinger DresdenThe collection consists of Chinese and Japanese porcelain from the 14th century. There is also the largest historical overview of Meissen’s porcelain (1710 – 1815). Including the  animal collection that was exclusively made for the Imperial Vicar.

The Rehbocktal was our camping site just between Meißen and Dresden along the Elbe cycle route. A great opportunity to explore this route on bike to Dresden (about 23 kilometers along the Elbe). A beautiful path along a number of “biergartens” where fortunately coffee is also an option.
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Meißen: White gold in between green

Porcelain “white gold” has a long and fascinating history. The origin of this refined ceramic is in China. But it is not entirely clear when the first ‘real’ Porcelain has been discovered.

According to which definition you chooce, it is assumed that this white and translucent ceramic material, porcelain as we now know it, was produced from  about 700. Chinese potters in that period had kilns that could reach the high temperature of about 1300° C (2370° F) needed to fire porclain. In addition, the right raw materials were also available.

As early as the 13th century this kind of ceramics has been coming to Europe, with other commercial goods from the East. From about the 16th century porcelain was imported on a large scale. The demand for these spectacular new ceramics had grown. This led to a “rat race” across Europe to unravel the secret. At the beginning of the 18th century this European competition was finally settled in Meißen. In my previous blog I wrote about this.

Elbe fietsroute (Elberadweg)

This summer we also wanted to discover the birthplace of European porcelain. Fortunately, the white gold can be found between green, along the beautiful Elbe cycle route (Elberadweg). A great opportunity for a new exploration trip on bike.

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Porcelain on the trail of white gold

Porcelain, “white gold” was (re)discovered in Europe  in 1708 by Johann Friedrich Böttger  in Meißen. From 1701, this alchemist in captivity attempted to make from regular metal gold. This was orderd by the Imperial vicar of Saxony and King of Poland: Frederik August II. (“August der Starke”).

Under the guidance of the natural scientist Ehrenfried Walther von Tschirnhaus , he moved his search from gold to white gold. In July 1708, just before the death of Tschirnhaus, Böttger could offer the first European porcelain to August der Starke.

Meissen porseleinThe imperial vicar and fanatical collector of white gold immediately commissioned the foundation of the first porcelain plant in Europe. Since then, Meissen porcelain has since been continuously produced.

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